Sad, Retiring Memories
On the first day of a new year, I sit back and look into the past.
The days after my matriculation have tragically swooned and swirled away. I must have passed through these fifteen years without knowing or being fully aware of myself.
Two years at S. M. Hindu Senior Secondary School were strangely undefinable, indefinite, directionless and excitement-free. Adolescence in me was severely subdued by the harsh fact that I was no longer the topper, the coveted position I had gotten used to in the almost competitionless environment of my class in the village school.
In fact, during our ten years of studies at the village, we were the same bunch of kids who grew up enjoying ourselves in the class. Once I established myself as the academic peer, it became a sort of convention to accept me as the first one in that bunch of thirty-five to forty odd kids from rural families where education was never given the kind of serious attention it deserves to fully blossom the petals of an academic flower.
There was no fresh influx of talent because the children from the neighbouring villages were equally poor academically and equally rich in childhood flirtations. So that left me as the topper till matriculation.
But the topper's crown was rattled severely at the town school.
In fact, during these two crownless years at the senior secondary school in the town, I enjoyed myself as if relieved of the burden.
Our teachers at the village school were all good, except at studies. They talked well, managed personal relationships well, thrashed and beat well, joked well, told interesting anecdotes quite well. But when it came to real studies, the poor fellows performed really badly.
So in school, we just passed our time sitting, talking, fighting, bad-naming the teachers, getting beaten, etc.
Now non-medical subjects at the senior secondary level demanded understanding, not cramming, as I had got used to doing to emerge the topper in my poor class. I had to cram because there was no real teacher to explain anything. So the only alternative left was to cram things straightaway, even if they hardly made any meaning.
But in the city school, amidst a new academic culture, I found myself within no time amongst the backbenchers.
But then being a backbencher has its own set of advantages as well. Because the onus of performing like a top-notch star is no longer on you.
You are free.
At the most, the teacher chides you sometimes or gives a dejected look at you when you turn crapper despite the best of his efforts to make you understand a particular thing.
Those were completely mindless days. I just allowed myself to be waylaid by the directionless wind of ignorant times.
A school is, after all, a school. You ought not to be unduly serious on its account. So it was a welcome extension to the school days at the village.
Like a balloon, I blew morosely, waywardly in four directions, and one such foolish circumstantial gust of wind carried me to the institution of dotards, the Jat College of Sonipat, for graduation.
Now, it was an institution which was as far away from education as is possible for a college to be within the limits of retaining its place in the UGC ratings.
Here the young, erratic, wrestling types, mostly Jats, got admissions only on account of being poor scorers and almost illiterates despite having senior secondary certificates.
Anyway, it was a boisterous place.
In winters, the students played cards, smoked beedis, told the budding tales of their romances, lying on the lawn. It had big rooms, the college, with long rows of benches. But during the class, only two or three rows of benches could be seen occupied.
For most of the students, coming to college meant a hearty, boisterous chatting session on the precincts, and then, while returning, following their love interests around the city streets to the bus stand. They squeezed the girls in the crowded buses. It was the most interesting incentive for coming to college for them.
The other was saving their skins from breakneck labour in the fields back at home.
Since I wasn't this type in any sense of the term, I felt like an alien in the college.
Here even the faculty looked like a bit more refined version of the students.
In this way, I had made the first and the most fatal mistake of choosing such an institution for myself. So the career prospects were surely to be dented, and these were dented, as the coming times would prove.
In the name of career, I had, in my senior secondary class, attended an SSB interview for the coveted NDA.
In the countryside, even stepping stones, the first ones, fetch you respect and publicity, as if you have brought heaven on earth.
So I got bouquets in hugely misplaced euphoric disproportion to my achievement. People treated me as if I had become a commissioned officer.
But at the SSB Bangalore—by the way, it was my first long-distance journey by train as well—I felt like a tiny frog out of its dirty little well for the first time.
The first thing with the SSB is that you are forcibly taken in by the urge to speak English even if you have not uttered a whole sentence of English in your life.
So there were many of my sort trying their hesitant, shivering, obstinate tongues at the imperial language. Though I surprised myself by being able to speak a few sentences while in leisure time with the other candidates, the effort and endeavour were too puny to carry the lurching cart along the road on which the shiny, convent-cultivated, fluently whizzing linguistic vehicles of status moved—the kids of senior bureaucrats, senior army officers and rich families.
Right from the start, I knew that I wasn't there to give some real challenge to some would-be big officer. Rather, I was there just to fill the ranks.
So after doing my shy, hesitant, immature, unripened fruit of duty, I came back to my little sleepy place, and the poor fellow croakers croaked.
They never had any doubt in my abilities—said that I had been unjustifiably done in by a corrupt environment. Some even went to the extent of saying that my calibre was of such a high degree that the army could not have digested it.
So I should go for the IAS.
Once this thing had been put into my head, I allowed the graduation years to roll over my head unproductively.
I will become a civil servant, I decided.
So I remained at home, went for self-study, read extra things beyond my graduation syllabus, and performed just to the level of first division in the exams.
But the glorious sun of civil services shone illustriously. It very dexterously removed any specks of shadowy doubt from my conscience.
After graduation, I appeared for two more SSB interviews, but I entered the selection centres with a hugely relieved self, basking in the enlightened feeling of superiority and benevolence that I was here just for an outing.
This feeling very easily quelled any suspicion or doubt over my true capabilities which could have arisen in the wake of my miserable performances in the interviews.
I forgot to mention one thing—a poetic thing.
While I took the first tottering, uncertain, shaking steps on the precarious path of civil services, the poetic bug infected me.
One day, I came across an advertisement about a competition in The Times of India, put out by the All India Poetry Association. The winner was to get an excursion ticket to England. The competition fee was rupees ten per poem. One could send as many poems as possible.
And then the poetic lava accumulated over the years erupted without any rhyme or reason.
Every human being's posse of emotions is special in one way or the other, mine being no exception.
To be frank, I had never read poetry seriously, not even the poems in the English syllabus during graduation. Yet I had, right from the beginning, profound faith in its ability to carry the intangible, vague, mystical, mythical load of your cravings, passions, ecstasies and agonies in its lyrically briefed, silently smiling, subtly weeping lines and words.
So without caring for the styles, forms or format, I let loose my chariot of poetry at a hurtling pace.
I wrote around fifty poems.
I called them poems just for the fact that while writing them, I felt like a poet.
Those stanzas seemed to convey deeper meanings which I could never have expressed either in talk or prose.
I liked those free verses in the sense that their free space and flexibility allowed a whole lot of emotions to be briefly concised in a stanza.
It is just like plucking out flying wisps from the perturbably changing, speedily spaced, impermanent world of dynamics.
Nothing is permanent in poetry.
You can very easily glorify something in one poem and criticize it like hell right in the other, without being dragged into contradictory discussions, because everybody accepts the fact that when you write a piece of poetry, you are immersed in that moment. What you were, what you say or do later, has no meaning at all.
Though the fairy-like kids born of that instantaneous impregnation of some creative instinct by emotion—these flower children—have a permanence.
They glimpse like stars on the distant horizon, on the dynamically unflinching base standing at the high pedestal. The lighthouse is standing on the rocky outcrop, throwing guiding rays around the treacherously lolloping storm waves against the cliffs.
They provide solace, sympathy, succour to some lone struggling man with his boat in the darkishly crazy waves.
Their magical rays travel over the ruffled, wavy surface and seek out some eye, some heart which needs that companionship.
Such is the beauty of poetry.
This slim, fair lady has maternal, maiden, lovely powers well beyond the contoured proportions of its fair, sinewy body. Its breasts have enough girth and milk to allow the hungry child to suckle nourishing milk; it has enough charm to allow lovely kisses. It can take many different hues, colours, motivations and realizations in its arms.
So without caring for the exact parameters of conventional poetry, I allowed myself to be taken along by the wildly hilarious fury of this gushing, gurgling river.
And what do you expect of such pure emotions? You find and fondle them right there at the top of the facts.
So I entertained all hopes of winning the prize and going to Europe.
But as all such hopes are bound ultimately to be shattered, I didn't win.
I thought I had been cheated. I thought that the draw was not fair.
I wrote an angry letter to the society and asked them to send me back all my poems, including a ten-rupee note as the value for return postage of my submission. I also demanded that they act in a poetic way befitting the status of a poetry society.
Mr. Kaul, the society's secretary, sent me a letter.
With anticipation, I opened it, but what did I find inside?
Not a line written in response to my aggrieved onslaught.
He had returned my ten rupees—not complete, rather torn into halves.
No accompanying letter.
Just the value of my materialistic paper turned into a torn ten-rupee note in two pieces.
Two halves of a ten-rupee note. What a response?
Maybe, in a fit of poetical fury, Mr. Kaul responded in a free-verse manner.
His reaction shows much which no amount of verbal philandering or behavioural gesturing can explain.
And I accepted it as a befitting reply to my unnecessarily raising a storm in a teacup.
But my engine of being had been put on the poetic rails.
I called myself a poet.
Even during the present hard times, when the soft language of humanity has almost lost its war against the sharp-edged hoot of materialism, fascination amounts to decency.
So, lost in the shine and sheen of my defeat, I typed free verses.
I thought, acted, behaved like a poet.
Writing something can get you addicted. It surely does. Addicted to the thought of getting published, like chronic addicts, writers and poets go to any extent—even to the extent of doing injustice to their economic as well as physical being—to see their work in print.
Publishers, the hounds of the trade, prey upon the soft rabbits. They have their clever ways of exacting money, exploiting these sentiments.
Blinded by the same sentiments, I was robbed of rupees 72,000 by the clever, foxy manager of the Minerva Press, India branch.
I acted like a sheep, he like a butcher.
The consequences I should not even mention, for they are too predictable.
The result being that I had stabbed 72,000 rupees out of the already famished pockets of my poor, weak, retired pensioner father.
It was a grossly ill-planned and illogically carried-out plan.
Indirectly, it meant that the foxy, wily Sardar had cheated me of my money.
But then every price you pay fetches you something in one form or the other.
I had my reputation soaring in the local area, in the countryside. The kind of society, the illiterate simpletons I am a part of, finds it one of the greatest achievements to be published—provided you keep the secret from them that you had paid for the publication.
So at least now, I and my family played our cards well, forgot about our money, and basked in the countryside glory of praising words spoken by illiterate mouths, rolling their fingers over the glossy-bound slim volume of my poems.
