**August 2006**
Name a thing which has not been robbed of its sweet charm, its pleasantly surprising, laboriously detouring, exotically curving, notably escaping scene and aura—we would like to sum this up under the one title of classicism, for it is an emotion rather than a concrete thought—by the mercilessly shortcutting, concretely revolving, unsparing, sure-shot, certain onslaught of cutthroat technology, modernism, consumerism, globalisation and capitalism.
Everything, from arts, sports, culture and entertainment to lives and relationships, has been put upon that sure, certain, predictable pedestal in the public square.
It has definitely robbed life of its exquisite, varied charm while making it comfortable.
Comfortable, but not interesting.
The less we knew and the less sophisticated the tools we had, the more it meant that we tried. We laboured, we wept, we laughed with joy while slowly working on the thing, process or relationship—in fact, everything related to us.
So we arrived at the classical contours of architecture, entertainment, literature, painting, music, romance, fights and feuds, and whatnot.
Now we, our products and our modes of doing things are the bland, bald, charmless, lifeless surfaces having straight faces and sharp corners, whitewashed with modernity in its sulking, juiceless monologues.
From our perch of monotony, we look with awe at the classical aspects of things of the past.
Now cricket, in its classical, unruffled, unfazed avatar, was a gentleman's five-day affair.
It was not at war with time.
The few spectators were players themselves.
But as we rolled into the last decades of the last century, we sabred the long-drawn affair—to cut, to trim, to manage the charmingly wild, overgrown affair.
One-day matches, with their money, glamour, competition and noise, were a step towards the semi-classical.
A bonsai of the reality.
Now we are hurtling too fast to take even the one-day affair as too classical.
Fast-rising superbrands, consumers tonking our heads, money overflowing the pockets.
A whole-day affair is too tedious.
So we have the Twenty20 avatar of cricket now.
An ungentlemanly version of the quiet innings of yore.
It is fast, furious, sure-shot, certain—a headlong plunge into the deadline with power and muscles, without much use of mind or heart, in sweating, pulsating notes.
It bears the same relationship to its forefathers as the grand things of earlier times bear to the modern luxury items of the contemporary period.
Coming back to Twenty20 cricket, I can take pride in being a part of its harbingers during the early nineties of the past century.
It seems really another era, even though only a decade separates the two.
On our uneven, rough, amoeba-shaped playground outside the village, we played Twenty20 cricket, both during friendly intra-village combats and during local inter-village tournaments.
Given our playing conditions, equipment, ground, skills and spectators, a Twenty20 affair was the maximum limit within which we could exploit all the elements of cricket.
I see no difference between that classless, farcical, ignorant British development of ours and our swankily clad musclemen wielding the bat like a mallet and hurtling the cherry like a stone.
It is a harakiri—boisterous, bawdy, noisy and indistinct.
In its classical version, the bat becomes a pen to slowly, dedicatedly write new chapters in history.
The ball is a living object which responds to the hardened nerves on the fingertips of the players.
In Twenty20, just as we did up to a decade ago, the vagrant boys hurl stones and the mischievous guy swings the mallet amid levity.
Sweat, perspiration, noise, money, nonsense.
Such bland games have to be cherished at the kids' level.
We enjoyed them during our unguided, unsuspecting adolescence.
Let others do the same, while watching and playing the same game.
But the more we are into it, the more the classical gentlemanly game becomes a candidate for a museum piece.
For even if the much-abhorred conservatives and conservationists cling to the older form, it will lose its real sheen in the coming decades, because modern architects feigning to erect a Taj are farcical.
The game will become obsolete, given that the players are all wielding mallets amid levity and hurling stones.
Take up any other issue or thing related to our lives and draw the same analogy.
You will see the panoramic shades of the classical, mystically lost in the background of the gleam and glitter of modernity.