The sun is getting hotter with each day as if driven by obsessive self-admiration over the heat and brightness. The noons are dazzling with soaring luminosity. The leaves are baked dead by the forty degree plus sun. The noontime is no doubt a big oven with everything for a nice roast. Just a gentle hot breeze and dry leaves rustle with a song carrying the essence of crumbling, charming prodigality of mortality, of shifting forms, of transfigurations and transformations. The parijat is a mere leafless sketch in black and white. A sandstorm in the evening and what remained of the pale leaves still precariously perched on the seat of life on the branches was also forced to let go of its worldly clasp and flow away. A bare almost lifeless tree it seems but there is semblance of aged but wise and graceful profile of an old man.
In
the morning next day, I see a tailorbird’s nest-cup on the ground. The storm
can break the branch but the nest is intact. It’s for nothing that we call them
tailorbirds. They are meticulous in their art. A laborious, expertly weave of
grass, hair and cotton. As I’m marveling at the master tailor-work, I see a
tiny beat of life. A hatchling—mere half of the human little finger—is lying on
the ground. The pulse of life itself has a big force even in tiny frailest of bodies,
and that’s why maybe the ants kept away waiting patiently for the pulse to die
down, as if paying respect to life, following a dharma. Well, it was lying on
the ground throughout the night and surprisingly still possesses the beat of
life. Where were the ants? Maybe they were busy somewhere or were conscientious
enough not to eat something alive.
There
are two more hatchlings nearby. One of them is considerably small and dead, the
other has some movement. But these two are sticking to a thick strand of a buffalo’s
tail-hair that had been utilized in nest-making. I hold the bigger alive one
and its dead, almost weightless sibling dangles, swinging to the breeze,
already on the path of dust-in-making. I know any effort to pull the dead one
away would almost result in tearing the living one.
Since
there are nestlings alive, I deem it my duty to fix the nest. I try to fix the
nest, consisting of three parijat
leaves stitched together with strands of buffalo hair and swabs of cotton,
among the crumbling dry leaves on the sad-looking tree. It needs some tailoring
skills to reattach a tailorbird’s nest to a branch. I use a needle and a thread
to sew the system to a branch and put the survivor hatchlings in it including
the dead one.
The
parents return and throw lungfuls of abuses at the human whom they suppose to
be the one who tossed away their house in the dark. They straightaway get into
the business of parenting once they find that the nest is funnily reattached in
an artificial manner. They soon arrive with worms in their beaks to feed their
kids. Thinking about the last evening’s storm isn’t part of their nature. They
live in ‘here and now’. After some time, while they are away, I get onto a
stool to see the position of the household inside the leafy cup. The pair of
the dead and the barely alive, strung together by a hair strand, is gone. The
only healthy baby is sprawled comfortably inside the nest. Most probably they
discarded the dead along with the half-dead, not having the means to undo the
hairy entanglement. That shows their love is perfect, yet very practical in
nature, bound to some primal laws of survival of the fittest.
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