The
most distinguished, defining and branding commonality among the artistic people
is their lives predominantly over-arched with sorrow, suffering and hardness at
the hands of the contemporary society. Mere mention of the word is sufficient
to make one envision a life full of destitution, impracticality bordering
foolishness, and self-absorbed persona taking the occupant in a cornered
reality where he stands in muted aloofness.
Now
the question arises why have such artistic people suffered all along the march
of civilization. Simple! It is their affliction with this germ of creativity
that ever lynches them to create something subtle, nuanced and an everlasting
symbol of their caliber that will continue to fight against the swiping sand of
time, to keep shining forever as an interminable legacy. This creative urge to
leave an artistic progeny--which is so powerful among all natural objects that
it results in sexual procreation willy-nilly in all species--in case of artists
this ‘will to life’ strives to leave a creative legacy. They do not strive for
a biological legacy; they slog out off-stream to leave an undying object of
their artistry. In a way, it is some effort to move towards immortality in some
artistic form, to leave a trace of this self-absorbed self in some form because
it is not possible to achieve mortality in physical form. At the common level,
people are so inclined to leave their genes in the form of kids; it is just an
effort to ward off mortality’s hammer-work that will see us lying in dust at
the end of our journey. So we have elaborate social system of inheritance and
patriarchy. An artist’s sense of survival is through his body of work that will
stand solid against the cycle of life that does not allow anything or anybody
to stand on stage forever.
The
artistic target being so noble and high, spanning so much time in the future,
relatively longer account in public memory, the investment of soul’s blood and
toil is also of the same Herculean scale. It includes devotion; worship;
virtual surrender to the Almighty urge to create the masterpiece. Aah, so much
for this urge to immortalize the self!! It requires penance, solitude,
loneliness during those long spread out hours, while the world around walks smarty
with immediate gains to still highlight the artist’s fruitless work. Kudos to
this common man’s safe rut where so many move uncreatively, safely, smartly,
efficiently, practically gathering puny perks and profits falling on the way as
a result of tiny efforts and Lilliputian endeavors. So the rutted, beaten path
of convention, of sheep-sleep-walking masses following the same path involves
littlest risks, almost assured returns, monotonous efforts, repetitive patterns
of life resulting in ever so expectable bits of money and the status of a similar
mass colored sheep. By following the path of convention, a man just puts in a
very small, short term investment. It can be very easily followed, for you need
not be an exception in any regard; need not take any risk whatsoever; need not put
up any type of experimentation. You just imitate others; you just do what other
hundreds of thousands are doing; you can even do it like a donkey yoked in its
little cart going for miles of its own without using even a chit of its dull
brain and the carter happily asleep dropping his reins and lines lose. The
wheels trapped in deep furrows themselves guide the beast. To walk on this
dusty, smooth, defined, clear pair of ruts it needs no special effort or
creativity. Here just above-average skilled fake combatants run ahead to grab
the lumps of tiny gains lying in the ruts, followed by the average skilled
laggards trying to reach the front part of the mob, and at the end trail the
less skilled struggling to defeat the tag of failure. So the pack train lurches
ahead with its saddle bags full of little trophies and tiny rewards.
Fortunately
or unfortunately, the artists do not toe this line of man-mules. They revolt
and resist this mechanic soulless movement from nowhere to nowhere. The
creativity in them enables them to see mammoth rewards at distant off-rut, off
route places. However, the muleteers jostling around force the artist to move
at the mass mobbed pace. Filled with artistic fury, the creative soul revolts
and steps out of the rut to move on fresh earth to reach its own set of rewards
and bounties. Meanwhile, boonfully jesting and shouting train of human mules
jeers at the artist’s first steps on the solitary path; they brandish their
tiny trophies at him; try their best to distract and dislodge him from the
unconventional path; bait him with Lilliputian trophies glittering under the conventional
sun of their pack train. Not having anything else to distract him, they discard
and condemn him as unfit for the mobbed completion in the dusty safe ruts. They
shout ‘escapist’. But he just laughs them away, soulfully drenched in the
drudgery of his soul’s creative instinct. He is fully immersed in the divine
purpose of creating something unique, having a totally new meaning. In revulsion
they punish him with pauperization and ostracizing.
Hundreds
and hundreds of artist revolutionaries die an unknown and unsung death on the
freezing cold slopes after moving away or parting ways from the normal path. Some
of course reach the distant cave of their destination and carve out a
masterpiece that is visible from the common rutted path and the commoners tired
and bored throw praise and coins at him. From the craggy ridges its rays even
entertain the streaming mass and they even sometimes praise his achievement
after all the excommunication and call his self-imposed exile even a fruitful endeavor.
The real artist is but still exiled in soul even though physically shoved by
the hustle and bustle of common rutted brains.
There
is a very simple reason why artistry is judged along very poor lines. It is all
about money-making principles. We judge the effort in proportion to its
money-making prospects. Since most of money-making is institutionalized within
the parameters of the rutted path, the tools of artistry are redundant in the
common thoroughfare. So the mob constantly yells failure at the artist while he
sweats it out to leave his name written shiningly on time’s fabric. The
undifferentiated mass snubs the artistic revolt like a master pokes an errant
slave, meanwhile the sun of ignominy and poverty shines on the bent artistic
head absorbed in soul-work on the anvil of his creativity. For each word of
praise, the poor artist has withstood uncountable number of chidings, snubs,
hooting, lampooning puns and mocking looks. He but silently bears it like a
strike from the ramrod of fate. Silently he just chips away the stones of
adversities to reach the ever-shining gem of creativity, whose hook has been
fastened in his heart, and the unrelenting line ever keeps pulling. He is
helpless in the grasp of this passion encrusted cord that would not let him go,
even if they try against it.
He
is the helpless moth, ever attracted to the fire of his creative passion. He
just cannot help it even if that continuous fluttering around the glow means a
final dive into the flames to be charred to ashes. Whatever might be the end,
the artistic soul lives triumphantly, victoriously in the glory of its artistic
passion. He sets his own goals and gets his own self-derived rewards, so
societal acceptance or non-acceptance does not matter. Every little creative
streak taken to its completion brings him own set of adulations and
salutations. His stomach might starve; but his soul is ever satiated with big
draughts drawn from the fathomless pool of his creative urge. Society may dub
him as a failure but his ever sweating out conscience is perpetually
vouchsafing and singing eulogies for his diehard spirit and really, really
genuine efforts.