There
are little wooden cabins housing tiny chai
stalls, pan and cigarette kiosks, and fruit and vegetable booths. These are skilfully
set up over the open drain passing in front of the hospital. In front of this
little market, you have juice carts with their promise of restoring the
weakened vitalities of the patients as well as their caretakers.
It
is a small world, operated by small people to satiate small-time hunger. The
items dealt in are very small but carry big effects, and it’s the same wherever
there are more claimants for meagre resources. Tea, biscuits, crisp fans, chewing
tobacco, pan masala, cigarettes, beedis, and sometimes an odd glass of mausmi juice when it turns a grave
matter on account of some sickness or accident. These are the important
elements of the day in the life of a common man.
Tobacco
and chewing masalas are the most
important among these. They bring instant help and succour, a kind of sip of
life, a gratification that helps the labouring class in turning near-sighted
and see just a small stage of life, which in turn enables them to ignore the
biggies of life. So on an hourly basis, it somehow propels their life in their
poor corridors. Further, these small items kill hunger, almost replacing lunch
and dinner but they bring death as well, slowly-slowly, and cancer as well,
which has its special, ill-famed category of death.
At
a few hand’s distance lies the death-defying shadow of the hospital.
Inside
the dull white concrete facade, man’s efforts to postpone mortality shine in
the white-lit corridors, OTs, ICUs, general wards and private rooms. The
hospital stands like the main body of the protective army. The little chain of
tea stalls clings in reserve like a support staff of supplementary ranks, right
there to support and provide solace and sips of comfort to the advance guard.
Made
of smoky old wood, standing on rickety stilts, the rudimentary wooden kiosks support
many families, as much as they support and provide succour to the anxious
relatives waiting for their ward to heal and join the stream of life again.
Some of these operate throughout the nights, giving warmth and hope to those
sleepless eyes whose relative is perhaps fighting for life in the hospital. Little
awnings of rucksack cloth, moth-eaten wooden tables, clanking glasses, cheap
plastic chairs and the local Hindi newspapers have an unobtrusive world that
stays on the sidelines and silently bends down to offer a hand of support when
required. It goes back to its own loneliness once the help has been offered.
****
The
night-time nurse in-charge of the ICU possibly observes the creeping claws of
death more vividly than perhaps any other professional. The fact that somebody
is under the intensive care of the doctors verifies just one thing—the health
condition of the patient is very serious, needing constant surveillance,
observation and medication in an environment of almost no disturbance and
noise. She is here to keep the flicker of life alive during the long drawn
hours, to defy death from the side of the crippled human beings under her care.
She usually doesn’t expect more than a stream of constant groans and complaints
both by the patients and their family members. However hard she works with
howsoever care and compassion, it’s but never enough. Her effort is always
expected to be more. When a patient throws pained fits of irritation, her
caring, helpless, shiny, big eyes show some traces of unease, a slight
off-balance. Her fair brow gets a few lines. But then the inescapable call to
duty draws her out of the pit of doubt. And here she is again the same caring
angel, the very same assuring smile, the very same gentle, soft words.
She
is petite and fair. Her features are very smart and capable of many an
interesting expression. She but evinces only the silently brooding, carefully
nursing visage. It’s just a fraction of all the treasure-trove of the possible outputs
of her sharp features. Aren’t all of us living just fractional lives, defined
by the necessities of our professional commitments? Her dress, her manners, her
expressions all but smirkly covered up by the white hospital smock she wears
over the colours of her personal wear.
She
arrives at the call of duty in a stylish set of salwar and kameez cut in
the latest fashion. She thus arrives as a young girl but then becomes a caring
woman the moment she enters the corridors of duty. Her day starts when the others’
comes to an end. During the sunless working hours, she is the mature doctor’s
maid stifling yawns and killing sleep, while the world outside snores in
oblivion. By the time of sunrise, her beautiful, bright, shiny eyes lose their glow
to appear cutely discharmed. Duty at the cost of beauty. Sleepless, fatigued
nights and slumberous, energyless days, following the natural cycle in reverse.
Her
days pass in taking naps now and then, and attending the household chores in
between. A persistent restlessness and heaviness of mind surrounding her all
the while. But she has to keep her head clear through the nights. That is important.
Most importantly, she has to keep her smile. A smile is very assuring. It is
more effective even than the medicines. It’s her priceless offering beyond the
monetary calculations of costing and billing. She understands the value and
significance of her smile, so much so that it has now become a habit.
You
see very less of life and living during the day. And at night you have to keep
your smile as the clawy hands of death creep closer and closer around you to
claim many of those whom you bless with your care and smile. A challenging job
indeed.
Glowing
under the bright ceiling lights in the hospital corridor, in the disinfected
phenyl-laden air, one sees just a fraction of her real charm. Earlier she had a
crying sea of sympathy for the suffering fellow human beings. Her heart ached
and eyes had tears many times. But your sentimentalities tend to stiffen under
the bombardment of the scenes carrying the pictures of death, diseases and
injuries. The continuous repetition of such harshly harking, diseased realities
leaves those who work in a hospital with blunted emotions and checkmated sentiments.
They see the reality and act the real way. They then remember the patients by
room or bed number. Diseases and injuries are permanent, only their carriers
change. Just like a river, permanent in its flow but the waters changing every
moment.
The
luminous world hurtles ahead; she appears to look at it with tired, sleepy
eyes. Does she have a crush on some young patient? No, disease and injury drive
away love’s cooing and bring in kindness and care. The hormonal storms of
physical attraction and likings get sublimated to change into something more
soulful, something beyond mere body and its desirous bundles of burden. But
then these are even more important, even better than the love between two
desirous bodies in full bloom.
And
what about the feelings for some handsome relative of some patient spending the
night to help his ward in the hospital? Who can trace the beautiful, mystically
charming wave in the sea of a young girl’s heart? Perhaps such normal ripples
do arise in the silently brooding waters in her heart. But then such ripply
playfulness is discernible in the open, sun-worked days. In the brooding
swathes of the night, such ripples, even if they arise, go unnoticed and
unacknowledged even by one’s own self. They just fade away leaving no trail or
shiny smile.
She
has brief interactions with the ward-boys, floor-washers, sweepers and other
fellow ladies of the night shift. The words are but without much energy and
spirit—mere formalities, they die in the disinfectant-suffused air.
Conversations are just bare minimum. Half smiles rule.
****
It
has perhaps been well said that to be poor is a curse. To be poor and get
afflicted with a disease or meeting an accident (provided the poor person doesn’t
die)—thus needing hospitalisation—is a bigger curse. God save the poor from the
disease and accident! But then disease, accident and poverty are almost
synonymous.
A
five-year-old boy is brought in the ambulance of a smaller hospital. His travel
on the stretcher from the hospital front to the ICU raises many eyebrows. His
mother, short, black, tied in a sari, can’t even dare to enter the bigger
hospital. This world is too big to her, and costlier. The banyan tree in front
of the building, with its sturdy leaves, casts its shadows unmindful of caste
and class. She finds it familiar, this comforting shadow, and sits here
wailing, praying for the life of her child. Death, pain and agonies are routine
in a hospital. So people just give her the quickest of an indifferent glance
and move on without any visible discomfort or invisible pinch to their soul.
The
father is inside the building, squatting against a wall in the crowded
corridor. One other fatigued, old and stretched-beyond-limit relative is running
helter-skelter to fetch medicines from the chemist. After a couple of hours of
praying ordeal, the devastated father emerges from the front glass door
carrying the boy’s body in his hands. The boy is covered with a shawl. Some
people are curious to know about the boy’s status. With silent tears in red
eyes, he looks at his wife standing like a stone statue under the tree. The God
has decided not to heed her prayers. Perhaps there must be more pressing
matters for him to attend at the moment.
Vocal
noise should not be made the parameter of evaluating pain and sorrow gushing
inside a person. A cry is just on the surface. It ripples like a mountain river
against the stones. Silence is at the bottom of the sea. It is in the pits of
undisturbed calm that the pain and suffering hisses its merciless monstrous
chants at its cruellest best. In the depths of her heart, soul-wrenching
currents are moving swiftly, jarringly. The maternal mountain crashes. Much to
the surprise of those around, gearing up their ears for a splitting cry, she
doesn’t trouble their ears. She suffers silently. The deep focus of the tragedy
is shaking her body. She silently shivers under the impact of the lynching by her
fate.
They
have to carry the body to their village 50 kilometres away. They sit by the
road to wait for a bus. Till the bus arrives they have the time to settle down
and compose themselves. The bus arrives. The father takes the lead and bravely
carries the body into the bus. Just like any other passenger heading to a destination.
Possibly the other passengers think that the child is sick only, that its heart
is still beating.
She
sobs and stands by, giving only this much clue that she is the mother of a sick
child. People do expect the poorest of the poor to be presentable, to behave
themselves, to maintain the decorum. The poor couple is doing it. Quite
conscious of their low status in the big world, she is shy to mourn openly. She
cries within herself, waiting to reach their house and then shed the inhibition
and mourn openly. She is now supposedly the mother of a sick child. She has to
maintain the image.
God
shouldn’t put such live coals on the palms of the poor, if He is the God we
think him to be because He himself will come under the curse of the poor.
****
Her
brow has lines and lines, and more lines. Unlike her haphazard, famished,
disordered life, these lines on her brow are quite ordered. It’s a nice presentation
of the graphical pattern of magnetic lines around a magnet. She is dark. During
youth—if homelessness and poverty allow the fountain of youth to sprout forth
at all—she must have had delicately carved fine features. But all that is gone
now, gone earlier than it should have. Only one expression—an effort to draw
sympathy—pervades her face now. Clad in stinking rags, she is pleading with the
in-charge of the nursing staff in the emergency ward.
‘God
bless you beta...please give me this
injection!’ she takes out a thin used vial from the knot on a corner of her
head-cloth.
Poverty
is the biggest disease, and helplessness is its everlasting effect. God must be
feeling lesser burden on His conscience after afflicting a poor person with a
disease as his prayers are less cumbersome. The stout, chubby faced gentleman,
carrying a happy demeanour even in the white-lit claustrophobic air, tries not
to listen to her. But a poor person preys upon to grab the littlest of
morality’s morsel available on the face of a relatively better placed human.
The way he avoids her eyes, while discarding her appeal and the absence of
shearing notes in his denial, makes her intent stronger. She pleads again and
again.
‘What
is this injection meant for? And who prescribed it?’ he tries to speak hard, to
cut the confidence in her pleading.
It’s
of no use. She knows this check-dam is not made of solid cement and mortar.
There are humanistic holes in it to peep through. She opens a little bale of
clothes and takes out a dog-eared, soiled, time-smeared prescription slip. The
edges at the folding lines are about to fall apart, thus rendering it useless
of its oft-repeated claim to prescription.
‘This
is long time since then. For this you need an ultrasound done. Taking this
injection without knowing the condition now will be bad for you taiji,’ he tries to scare her away with
a list of dangers to her life.
But
to her this injection is a needle of life. She cannot stop believing in its
effect. The warning vanishes in the disinfected air. She has now caught the
attention of the people around. They look at her in mild irritation. She is
poorer than anyone around, thus giving the dozens of people nearby the
excitement of being better placed, even rich.
She
is now squatting on the tiled floor. No word seems enough to budge her from her
perch. He has to give in. There is no other way. Muttering and reproaching—afraid
that the manager will soon come to know—he asks her to lie on her side on a
stretcher. She shows unexpected agility and is lying on her side, expecting the
sweet sensation of the needle on her bottom. He pulls down the edge of her
great long-skirt a bit to expose the time-wearied skin on her hip. The skin but
is better here, surprisingly. He injects. She winces with pain. But then smiles
a toothless smile, a bit shy even.
Once
obliged, she comes again, the next day, with a brighter hope to get rid of the
disease forever. She is wearing a cleaner ware today. A boy of around five
accompanies her. He seems to have come to look at the interiors like a tourist.
She
is but for less luck today. Luck is rare, that’s why it’s called lady luck, otherwise it will lose its
status of being a prestigious lady.
A
poor person needs luck in many corners to feel its impact even slightly in a
little corner.
The
smart, overzealous manager, taking his job too seriously, has come to know of
the transgression. The nurse in-charge has been smartly warned against
repeating the thing. Yesterday’s benefactor, his moustache trimmed nicely,
having worked for 36 hours at a stretch, followed by 12 hours of rest, and then
repeating the same over weeks after weeks, flatly refuses in an angry tone.
This time there is no breach in his NO.
She feels it. This NO is too solid,
rock-hard, to be melted by her pleading voice. But then the success of
yesterday is too near. Taking inspiration from it, she squats, mutters more
pathetically, like life is draining out of her, shows infinite helplessness
through her eyes and waves of hands. She has high hopes of getting cured of the
malady with the help of this about-to-tear slip of an age-old prescription
paper. The hope fades. The malady will outlast the slip. Its paper is too old
now. Her disease is stronger without doubt.
With
a heavy heart, and a look of last appeal to the onlookers, she walks out. The
child is not bothered about anything. The hospital is too big, clean and
exciting for him. In the corridor, many people pass her carrying costly
medicines for their wards. She stares at the medicines with a strange look,
like she looks at food when terribly hungry. She even feels like snatching a
bunch of medicines and chew them raw, to quench her hunger, to kill her
disease.
The
manager, flirting with the reception girl, yells out his authority. People
sitting in the reception hall take their eyes off the TV. Many unconcerned eyes
follow her out of the hospital. She is somehow courteous. Possibly for
yesterday’s stroke of luck. She uses almost all her strength to pull the main
glass door and close it safely behind her.
****
The
watchman is medium built and of average height. Not much flesh on his body,
shoulders of medium girth, and waistline has a bulge. He is a watchman under
compulsion, not by choice. Who chooses lower rung occupations? These just come
to ride the back of swift horses of circumstances. But he seems to have fallen
in love with the job. It comes with ease to him now. To make him more
authoritative, he has groomed handle-bar moustaches. He seems to impose more
visibility to his persona with this hairy addition to his face. His khaki dress
is styled like a policeman. He scampers around as the beacon of security for
this private hospital.
He
misses shoulder tabs and insignia on the belt. That would have made him almost look
like a real policeman, he thinks many times, especially when he sees the real policewallah. But the simple truth is,
he is just a private security guard. The saving grace is, such finer nuances
are missed by the poor, the illiterate and the beggars. To many of them he is
the same typical, to be scared of, policeman. He feels it and is happy about
it, taking it as a bonus on his meagre salary.
He
sits on a chair under the ceiling fan dangling from the tin-shed entrance porch
of the hospital. He is mostly on lookout for the ambulances taking a sharp turn
from the road to appear suddenly in front of the hospital gate. A whistle
dangles from his belt. He blows the whistle to alert the ward boys to come
dashing out to admit the patient. His other job, more tedious one, is to force
people to park their bikes and scooters in straight line along the hospital’s
outer wall. He is very much concerned about the hassle-free movement of the
ambulances. Well, that is necessary because in medical emergencies time matters
a lot. He has seen the value of these critical minutes.
The
moment there is a cut in the electricity, he rushes to the generator set to
start it as soon as possible. He understands the value of electricity for the
patients. Then there are oxygen cylinders to be loaded and unloaded. It’s a
relief to see somebody who is true to his khaki, even though he is a fake
policeman. Being non-sarkari means
one has to force the last ounce of capability and efficiency to the commitments
and duties—as man is nothing but an animal in the advanced stage of evolution.
He is thus safely tamed and reasonably habituated to take the job seriously.
His commitment is unwavering because he knows that there are better statured
people who don’t even need an imposing handle-bar moustache to make them
eligible for the security job.
****
In
the tiled, tube-lit hospital corridors, life seems ever-put on the support
system. The furnishings in the rooms have a depressive similarity. Enamelled
iron beds, waste buckets, toilet bowls, medicine chests, metal chairs, narrow
padded and unpadded bunks, drip-stands with emptying or empty bottles dangling
like chandleries of the palace of the wounded and the diseased: a house put in
order to hold back dear life at any cost.
During
the day, care-worn guardians, family members, relatives and friends of the
patients make the corridor air a bit less depressive. This humming of healthy
lives spares the cubicles on both sides from becoming tombs of semi-death. At
nights the corridors echo in silence as if in sync with the agents of mortality
peeping around some corner. In the dimness and faded light post midnight, the
angels of death might be moving silently, on their tip-toes to pluck out their
harvest from any nook corner where there might be some loss of handhold by the
humans or the institution. They peep to snatch the prey from the medicinal
clutch-hold and the grasp of fervent prayers.
And
the patients do keep awake at nights; otherwise they won’t be patients at all.
At nights, the fear of death and pain strikes them with a potent force. Much to
the chagrin of death’s angels, the hospital is never fully asleep. There are
lone sentinels on the night duty. They continuously stifle their yawns to keep
the lamp of hope and life alive.
****
This
woman knows how to fully vent out all her sorrows at the time of the looming
death of her husband. Admitted to the general ward on the top floor, his system
has started to revolt against the chains of medicine. They rush him to the ICU
on the ground floor. She is terrified by the look on his face. She is beating
down her disbelief; disbelief about the fatal moment; holding onto the belief
that she will see his live face again.
Absorbed
in her pain, she is crying at the top of her voice. The notes of her crying
writhe with rumbling, lynching pain in her heart. It reverberates through the
staircases and corridors. The soufflés of her husband are dying down, the fear
and sorrows in her heart are erupting with the fury of hot, shearing lava.
A
woman is basically somebody’s wife in India, the husband being the main pillar
of her identity. Life literally comes to a naught when this pillar crashes.
This poor woman is on the verge of losing her identity and she realises it. Her
startled relatives are feeling scared, more embarrassed for bringing disorder
into the hospitalised orderliness. Her wailing goes up as they take her down
the stairs. The rich might not be that rich in revealing their sorrows in the
most natural form. The poor vent out their sorrows in full tempo. It does not
cost them anything.
When
such pains and sufferings explode, the hospital management has clear guidelines
to whisk away the source of the cries, lest it gives a pessimistic message to
those around and consequently creates a dent in the facade of the hospital’s
brand. But patients do die here. The aftermaths but have to be managed. Life is
more important than death. And so is the image of the hospital and the commerce
of course.
She
has turned a widow by the time she reaches the ground floor. She has to wail
and express it in the loudest possible manner. She is whisked away. Hospitals
are for hope. Mourning is private. It is for home.
****
The
sweeper is supposed to be the humblest. He does full justice to the
supposition. He lays the foundation of clearing the dirt and various other
components of death and disease. In a way, this very act of cleaning is the
foundation on which a hospital stands. People rush past him, maintaining a safe
distance from him, to keep themselves healthy and clean. There is a stampede on
the just washed and neatly wiped white floor tiles. There are newer marks
immediately after he undoes the stigmas of earlier footsteps.
It’s
his fight, relentless, head bent down, invisible in the crowd. He is on a war
with uncleanliness. He swipes the path to health and curative powers to make it
germ-free. He has to continuously look at the floor, here, there, in front,
sideways, ahead. His world is on the ground. Not an inch above it.
He
is never seen talking to anybody. His features are fine on his dark face,
though. His head seems to have taken a fancy for ageing. His hair is falling
early. He keeps it closely cropped. There is hardly any expression on his face
covered under a few days of stubble. It is a clean private hospital. He can
never take the risk of any dirt around. If there is any, he is at a risk of
getting fired from the job. He has a friend who works in a government hospital
and his world is totally different. His friend has a secure job and hence his
world is a few inches above the ground.
****
The
nights are groaning, recuperating, healing and convalescing in the ICU. With
her beautiful smile and soft words, she keeps the hope alive. A smile
overpowers the grimace of death. Her nursing smock hides all the charms of her
colourful clothing and the contours of her lithe body. It but oozes out of her beautiful
eyes and rosy lips.
Her
identity, her relation to the outside world has come to be swapped by the word
‘sister’. It is thrown mechanically at her. She bears it like her hospital
name. A young heart beats under the dress coat. She is of the marriageable age.
Whenever a handsome young man addresses her by her hospital name, she can feel
the pinch at her heart. It feels bad. She has the normal feelings of a young
girl. The crippled old could very well have said ‘daughter’ to her. But even
they call her ‘sister’.
Nursing
is the noblest of the noble professions—how can we forget that healing lamp lit
by Florence Nightingale over the fields littered with blood and bones. And just
like any other noble thing it has to bear the burden of goodness during the
contemporary times, when the ends justify the means, and ends being just
dehumanised versions of success predominantly in monetary terms. A nurse has to
go to the backstage to do her duty. There are many who will have a mocking
strain of a smile at the merest mention of the word ‘nurse’. Taking great
solace and satisfaction, the society at large pays them back with slingshots of
rotten tomatoes. Many tongues in India follow the grotesque course of calling
them ‘immoral’. Visitors to the hospitals eye them with suspicion and gratify
their sex-starved senses with the sadistically hatched imageries of scandals involving
the nurses and the doctors. The noblest of this profession carries the scars
born of brutal prejudices.
Nurses
almost invariably look good. They carry a vigour, a charm, a vitality which
infuses life among the sickened spirits. They symbolise life, prevalence of
life over death, of smile over tears, of recovery over ailment. They work for
long hours, but their salaries are measly. Beautiful nurses carry the effulgent
private health sector on the chariot of their smiles and care. The public
health sector meanwhile trots on apathy and mismanagement.
In
the conservative countryside, till a decade back, a nurse, though qualified in
the genuine most human trait of ‘care’, did not carry a bright prospect on the
scale of eligibility for marriage. Thankfully things are changing now. The
profession now is getting its well deserved respect.
She
too is of marriageable age. She also thinks about marriage just like any other
girl of her age.
In
India marriage is almost synonymous to life in case of a girl. It applies to
girls of all castes, classes, colours, good looking, plain looking, and more. A
girl has to be married at any cost, even if it means throwing her into a
veritable fire of pain and suffering.
What
else is there in life to achieve? You are good looking. You have studied and
broken certain conventions in becoming a nurse—to be noted here, the events at
this hospital of ours occurred a decade and half ago. A suitable match can be
the highest form of achievement. The desire is so common, yet so unique in
every individual.
She
is supporting her lower middle class family. She is pretty faced, has the heart
of gold, does not bitch in the typical female way, and doesn’t possess the
characteristic jealous strain in her. Still the odds seem stacked against her.
She stays on the hospital’s fourth floor where the owner doctor couple and
their children stay. She belongs to the owner doctor’s village. After
completing her nursing course, she is a recipient of this benefit of getting a
job here. During the day, life on the lower floors bustles with war between
pain and relief; meanwhile she has to catch up with the demands of sleep after
her 12 hour night duty. She goes out very rarely. She sleeps through the major
chunk of the day, managing her household chores in between. The rest of the few
moments left, she spends in retaining the charm on the fatigued aura on her
delicate features.
It’s
the birth right of a girl to put an effort to look prettier. You, but, cannot
look better unless you feel well. Our face is a reflection of the unseen world
we carry inside us. She has more than one reason not to feel better inside. One
can see a sorrow in her beautiful eyes. There are times when she feels it is a
bad career option. Coming from her native place, just to be a working girl is
the battle won. Options are beyond imagination. But now she sees women and
girls placed in other professions and realises that life would have been better
with those options. Her salary is just 4,000 rupees per month. But then free
lodging is a huge bonus which many in her place would love to grab without
thinking twice.
She
carries the weight of marriage on her head. It is the extra weight; already she
carries the weight of the entire ICU during those lonely nights. She feels like
a normal girl sometimes, her heart beating like a typical young girl, her
persona breaking the chains of the white smock, as she explores genuine love in
the eyes of a good looking and decently standing young man spending a night because
of the admitted relative in the hospital. A mature girl—who knows exactly how
difficult it is to earn a livelihood—has to seek something more important other
than love and lust in a man’s eyes. This is preconditioned love. It is
realistic unlike the blind, instinctive love of a teenage girl. The initial
rays of hope fade as soon as she explores deeper, beyond fine clothes and good
features.
Also,
whenever her reading of a character is about to reach the critical limit, there
are other problems that gape though the chinks. During the day she has to be
absent and in the meanwhile, through the vibrant and colourful day, they, those
five glamorous stars of the day, swipe any trace of focus harboured during the
night.
We
live through the day and sleep at night. Hers is a reversed world. The half
hesitant beginning lines of her love story come to an end even before a proper
start. The day brings a completely new world. The night is forgotten. She is
unseen during the day and loses her place in the world.
The
day-time nurses are also very beautiful. Theirs is a straight world. They have
their share of fun in a linear world. She knows their capacity to enjoy life.
She also knows that they manage it well when it comes to managing both the
professional and the fun parts. They carry flirtatious smiles and turn out the
staid, scared hospital air, bringing in normalcy of common desires and the very
same interest in life. They have even improvised their nursing coats. It’s
sleeveless to make it glamorous. Also, they wear leggings of exciting colours. The
bare arms and fine leg outlines make it a world worth living even in a
hospital. The clicking sandals, stylish hair, glowing lipsticks and confident
walk topple the cart of agonies and pain. Even the most ill patients cannot
help staring at them as they carry the banner of life through the corridors. As
the mornings wake up—and her night yawns come to rest—they arrive like a fresh
gust of breeze with colours, perfumes, swagger and traces of life lived
normally and enjoyed like anyone around. Theirs is a normal world, with mundane
fun, so they look happy and contended.
Such
contrast carries jealousy, and more importantly self-pity, on its back. The
sulking beauty feels it. She goes into the darkness of her day to sleep with
the pain that they will swipe away the lines of interest she thought have
blossomed in a workable handsome guardian of some patient. She is exploring the
prospects of marriage. A hospital and a reversed world perhaps are not suitable
for the job. She commands respect from them for being their senior and they
call her ‘deedi’. She has even no
time to share the harmless fun of their common world because she has no days.
She has only nights. She is only half-living her life, or even less.
There
have been many flat NOs from the boys’ side to suggested marriage proposals in
the deeply conservative place she comes from. People have dirty assumptions
based on ill-founded fables about the profession. Ironically, most suitable to
love and care, a nurse is counted low on scores for domestic life. It should be
the other way. But then there are so many things in this world that should be
exactly in the reverse order for it to sound justified. It however is not so.
Mankind has created assumptions and presumptions with a very strange
convenience.
The
forlorn nights wear away, adjusting glucose bottles, measuring temperature, checking
blood pressure, giving pills and syrups, giving injections, looking at the
moving hands of the clock in an unchanging world. It is the same world, only the
faces change. Further, pain, suffering and caring carry the same face. Her
smile has come to perch automatically on her lips. She has to smile and assure
the patients that all is well. She has to appear normal; that all is well and
they will be perfectly all right. Below this make-up of her duty, the lines of
concern are creeping in. The glimmer of her eyes appears to have dimmed considerably.
A rose she is indeed. Undoubtedly. A rose in distress, its fragrance on the
wane. The colour slightly on the paler side. The juice evaporating, for there
is no sun in her life. It’s a fading rose, worse still, she realises it. It
hurts more.
It
is only passing in saying that the most noble become the most ineligible during
these testing times. Perhaps the eligibility has come to be defined by the
degree of deviance from being noble. From the tiniest trace of some lone tumble
in the dim-lit rooms of civil hospitals on the dirty sheets—the neglected
patients groaning in the background—the world sits down under the sun to weave
mammoth tales of promiscuity and easily stripping bodies. The world is very
creative in condemnation. It loses all its strength when one needs support
though.
****
God
comes very close during a life-threatening crisis. People waiting outside the
operation theatre can just feel Him around and whisper in His ears. The words
of loyalty to Him, belief in Him—unquestioning. God is the biggest remedy. The
operation theatre, though, is a big milestone in the medicinal and doctoring
process. Here the doctors tear open the flesh to close down the gaps through
which death may creep in. It has been very amply called ‘theatre’. The actors
are green-aproned, masked and hooded. Doctors, nurses and surgery attendants
replace the traditional actors who do theatrics in the usual drama of life.
This is but a very serious drama here. It is a grave affair, a question of
unfailing precision, a matter of life and death. Instead of the dialogue
delivery, here the tongues do the minimum required. Gloved hands, surgical
tools and medical instruments softly whisper in dissecting tones. The lights of
a normal theatre are replaced by a huge one with its criss-crossing rays
hanging over the stage on which the drama of dozing death is played in full
focus. The air is germ free. Everything has been disinfected. It is a world
cocooned in safety. It is silent. Even the soft insertions on skins are
audible.
The
doctors and the staff play their roles to cure, to nurture life, to avoid
mortality. There are successes and failures. That is the drama metaphorically.
The anxious relatives stand outside. That but is a world beyond. So near yet so
far. Even their imagination is scared to sneak a peek. They just pray to dear God.
After all, He must be somewhere nearby. When even the imagination fails, lot
many burdens are shed from the conscience. Disburdened and light, the soul
prays with a peculiar earnestness, a queer focus, with massive plight to turn
the God’s face in their direction. Doubts about His existence fritter away. The
souls chant devotional rhymes in unison with the purest of inaudible notes.
Such urgent beseeching isn’t without results if we measure the ratio of success
and failure in materialistic sense of the term. Do a survey among all those who
have prayed anxiously outside operation theatres and count the number of those
whose prayers were heeded against those who turned atheists because their
fervent pleadings fell on deaf ears. The former numbers beat the latter by a
big margin. In fact the former is a nice multiple of the latter. It only
validates the efficacy of prayers. It also proves why do we need God. Prayers
ensure that life comes back to normalcy from the operation theatre to the ICU and
further to emergency room to private room to finally enter the routine corridors
of life.