The month of March. Earlier we had
spring in March. Now it has been relegated to just the last week of February. However,
just like many of the customs that we keep following out of habit, I feel
better by taking this second week of March as the spring season even though the
sun is already hot enough to hit you with its rays right in the mornings.
The afternoon sun is golden yellow,
showering its riot of warmth over the ripening wheat crop-heads. You can
actually feel the green fading into the littlest traces of gold. The heat is
building up to lead us to the harvest season. The nights however are dewy and
cool and it nurtures ageratum flowers. These wild flowers have many interesting
names—floss-flower, blue milk, blue weed, pussy foot and Mexican paintbrush. These
wild blossoms help me keep my belief in the spring season. There are countless
light purple and bluish fluffy flowers by the sides of the field-paths, foot
tracks, channel bunds and the canal embankments. They have blossomed so
profusely—over the thin lines of wild tracks and field divides, as if nature,
taking a clue from the mankind’s intense agriculture, has done its best to utilize
the thin ribbons of uncultivated land for its unwanted weeds to thrive among
the well-manicured lawns of monoculture crop patterns.
They are said to attract butterflies.
I hope there will be butterflies soon. There are four red semal or silk cotton trees. After the winter’s assault they are
leafless with bare ashen branches at the upper end of a long straight robust
silvery trunk bearing a light canopy. But they have luscious dollops of beauty
to make up for their shorn-sheep look. These are big red vibrant five-petaled
flowers, facing the sky upwards, receiving the grace of open skies and
sunshine. They drop with a plop and then the ants have a feast. It’s also a
feast for a few purple sunbird couples, bees and some odd barbet that may have
delayed its flight back to the lower Himalayan hills with the passing of
winter.
On one of the silk cotton trees, three
parrots are having a dining gossip. Some bee-eaters are enjoying the taste of
the bees hovering around the juicy big flowers. And around these solitary
beacons of beauty, the long rows of bluish floss flowers are indeed still
holding the banner of spring and avoid an eventuality when the spring will be
an extinct season altogether.
There are a few mango trees. These are
laden with inflorescence called panicles at the shoot terminals. These
countless pale yellow clusters have a fragrance of procreation. So many will
drizzle down with gutsy summer winds but still the tree will be left with
enough for our taste and the survival of its species. During Father’s time,
when they grazed cattle in the scrub forest—most of this area wasn’t tilled at
that time—there were so many mango trees along the canals that they could
afford to just see the mangoes come floating downstream and eat whenever they
liked. Now I see just five-six mango trees in the area. Father told me there
were plenty of wolves, jackals and even hyenas in the scrub forest around the
village during their childhood times. And now we plough every square inch of
land with a pin-pointed precision. So the wilderness is squeezed tight across the
canal embankments, field channel bunds, field divides and path-sides. Here I
have seen the area’s top predator, a majestic jungle cat that looks very lonely
as it runs for cover on my approach. Then there are a few cobras and some
jackals. Well, that’s better than no wildlife at all. This is what I consider to
be my forest, stretched like narrow ribbons. I walk along these, cherishing
what is left of the spring.
High in the branches of the eucalypts
trees, I can see cream-colored fluffy little flowers. They spread a faint
fragrance of the spring. All along the narrow paths, where the mankind is yet
to arrive with pick axe, shovel and spade to turn the soil into some more
productive use, there are rows of hemp plants. It has become a ubiquitous weed
as if mother nature is offering her spring-time bhang lassi to make us less serious and more prone to merrymaking.
A honeybee with its one million
neurons in its brain is happy with the few odd semal flowers. I, on the other hand, with my hundred billion complexities
of neurons in my brain feel the loss and pain as well. I know that most of the
people are running in the mad race of material progress. They are also Me. I
share their fears and phobias because at the level of genome I’m 99.6 percent
similar to someone else. With my 0.4 percent of genomic variance, defining my
poetic individualities, I roam around in the countryside chronicling what still
survives in the background of all that has vanished. It gives nostalgic pain; but
it gives joy as well, like these long rows of floss flowers do. I know I’m an
assemblage of genetic instructions coded in the DNA sequence; a reflection of genetically
imprinted memories in my cells where each cell out of the billions contains 25,000
genes to propel my system of agonies and ecstasies. A tiny memorial bundle of
love, agonies and ecstasies, here I walk bracing my fingers against the wild
rows of floss flowers which line up to greet me because I recognize and accept
that the spring season is still there.
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